Traditional music from Nigeria and throughout Africa is almost always functional; in other words, it is performed to mark a ritual such as a wedding or funeral and not for pure entertainment or artistic enjoyment.[2] Although some Nigerians, especially children and the elderly, play instruments for their own amusement, solo performance is otherwise rare. Music is closely linked to agriculture, and there are restrictions on, for example, which instruments can be played during different parts of the growing season.
The most common format for music in Nigeria is the call-and-response choir, in which a lead singer and a chorus interchange verses, sometimes accompanied by instruments that either shadow the lead text or repeat and ostinato vocal phrase. The southern area features complex rhythms and solo players using melody instruments, while the north more typically features polyphonic wind ensembles. The extreme north region is associated with monodic (i.e., single-line) music with an emphasis on drums, and tends to be more influenced by Islamic music.
Epic poetry is found in parts of Nigeria, and its performance is always viewed as musical in nature. Blind itinerant performers, sometimes accompanying themselves with a string instrument, are known for reciting long poems of unorthodox Islamic text among the Kanuri and Hausa. These, and other related traditions, may be descended from similar Maghrebian and European traditions. The Ozidi Saga found in the Niger Delta is a well-known epic that takes seven days to perform and utilises a narrator, a chorus, percussion, mime and dance.
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